St. Wenceslas concert
Birth - extinction - hope
Sunday, 27. 9. 2026 at 18:00
church of st. Wenceslas
Mikulov (Czechia)
Künstler
- ANMOEN (ANTICO MODERNO ENsemble) is a chamber music ensemble dedicated to the interpretation of early baroque music and its sensitive connection with compositions by contemporary authors. It revives compositions hidden in the archives and at the same time gives impetus to the creation of completely new musical works. The ensemble complements the dramaturgy of the concerts with musical improvisations and, thanks to the unusual cast, which consists of vocal bass, viola da gamba, theorbo and organ positive/harpsichord, it has a very specific, unmistakable timbre. The members of the ensemble are graduates of prestigious domestic and foreign music schools and collaborate with a number of leading ensembles not only of so-called early music. cs.jaromirnosek.com
- Bass player and artistic director of the ANMOEN ensemble, Jaromír Nosek studied choral conducting at the Faculty of Education of the Charles University in Prague and singing at the Prague Conservatory in the class of Jiří Kotouč and at the Faculty of Music of the AMU in Prague with Roman Janál and Katarína Bachmannová. He completed scholarship internships at the Dartington International Summer School in Great Britain, the Accademia Chigiana in Siena, Italy, and the Conservatorio Santa Cecilia in Rome. He cooperates with renowned European orchestras and vocal ensembles, such as Cappella Mariana, Gli Angeli Genève, Wrocław Baroque Ensemble, Symphony Orchestra hl. m. Prague FOK, Concerto Palatino, Collegium 1704, La Venexiana, Doulce Mémoire, Warsawska Filharmonia Narodowa, or Lautten Compagney. His rich solo experience includes collaborations with conductors such as Václav Luks, José Cura, Stefano Montanari, Rudolf Lutz or Christophe Rousset. Jaromír performed at many international music festivals - Prague Spring, Salzburger Festspiele, Festival d'Ambronay, Settimana Musicale Senese, Festival Oude Muziek Utrecht, Bach Festival Montréal, Festival del Centro Histórico de la Ciudad de México, etc. He performed for opera audiences at home and abroad, e.g. in the title role of the serenade La Senna Festeggiante by Antonio Vivaldi, as Caronte in Orfeo and Seneca in the Coronation of Poppey by Claudio Monteverdi, Ortensio in the opera Antonia Caldary L'Amor non ha legge, or as a Mozartian interpreter in the roles of Komtura (Don Giovanni), Sarastra (The Magic Flute) or Figaro (The Marriage of Figaro), for which performance he was included in the wider nomination for the Thalia Award 2020. He participated in the recording of more than 50 CDs, many of which won nominations and prestigious international awards such as Choc du Monde de la Musique or ICMA (International classical music awards).
- Jakub Michl plays viola da gamba. He studied cello at the Prague Conservatory with Tomáš Strašil, musicology at the Faculty of Arts of Charles University in Prague, viola da gamba at Trinity College of Music in London with Alison Crum and Vittorio Ghielmi at the Mozarteum in Salzburg. In addition, he took master classes and private lessons with Jordi Savall, Wieland Kuijken, Marianne Müller, Hille Perl, Richard Boothby, Michael Brüssing, Petr Wagner, Reiko Ichise, Bruno Cocset, Irmtraud Hubatschek and Marko Štryncle. He is the laureate of the interpretation competition for a solo performance with the orchestra of the Znojmo Music Festival in 2013. He deepened his interest in the music of the European Middle Ages and playing the fiddle on courses in Besalú (Medieval Music Besalú) and Vancouver (Early Music Vancouver) with personalities such as Benjamin Bagby, Norbert Rodenkirchen, Alejandro Fernandez Peralta and Mauricio Molina. Jakub is a founding member and artistic director of the Motus Harmonicus ensemble and has so far collaborated with Musica Florea, In Cordis Ensemble, Czech Ensemble Baroque, Ensemble Damian, Solamente naturali, Les Traversées Baroques, Trinity College Consort of Viols, Greenwich Baroque, Ritornello, etc. He is also active as a music teacher. He teaches historically informed interpretation of early music and viola da gamba, which he taught as an extern at the University of Cambridge from 2011 to 2013.
- Arc lute player Marek Kubát gained his first musical experience at the age of ten, when he began, as a self-taught person, to learn to play the guitar. He later studied this instrument at the Basic Art School in Tišnov with teacher Miroslav Ševčík and then privately with Stanislav Juřica, professor at the Pardubice Conservatory. He gained knowledge in the area of jazz guitar and harmony by taking lessons with jazzman Vilém Spilka. He studied the lute at the Academy of Early Music in Brno under the pedagogical guidance of Miloslav Študent. He attended lute master classes (Paul Beier, Michael Fields). Since the age of fifteen, he has been on the concert stage with bands of diverse focus (e.g. folk-oriented Malevil, jazz-rock Ha-Kapela, jazz Mañana, Czaldy-Waldy quartet playing world music, etc.). Currently, in addition to chamber projects, he regularly performs with various baroque ensembles (Capella Ornamentata, Concerto Aventino, Ensemble Damian, Hof-musici, Musica Figuralis, Silva Rerum arte (PL), Societas Incognitorum). In addition to interpreting baroque music, he also often collaborates with composers of contemporary music (Tomáš Hanzlík, Dada Klementová, Matěj Kroupa, Katarzyna Szwed, Emil Wojtacki, Vít Zouhar). As a lutenist, he is invited to the baroque music projects of the Bałtycka Polish Philharmonic. He works as a teacher at the Basic Art School in Tišnov. He works with the Studio of Musical Acting at the Theater Faculty of the Janáček Academy of Performing Arts in Brno. He is the bandleader and arranger of the jazz band Undistortion.
- Pianist, harpsichordist and organ positive player Martin Smutný studied piano at the Pardubice Conservatory in the class of Jana Turková and Jaroslava Pěchočová. He was then a student at the Faculty of Arts of the Ostrava University in Ostrava in the class of Ivo Kahánka. He also completed various master classes and consultations with pianists Jan Jiraský, Jiří Skovajsa, Miroslav Langer, Boris Krajný, Ivan Kláský and harpsichordists Giedra Lukšaita–Mrázková, Petra Ždárská, Filip Dvořák, Ilona Růčková and others. He performed as a soloist with the Pardubice Chamber Philharmonic, the Janáček Philharmonic Ostrava and the Moravian Philharmonic Olomouc. Since 2012, he has been a member of Ensemble Damian, with whom he regularly performs concerts, records CDs and performs at festivals such as Smetanova Litomyšl, Opera Prague, MHF Peter Dvorský, Baroko Olomouc and Opera Schrattenbach. As a soloist of the Ensemble, Damian successfully performed the modern premiere of Josef Antonín Štěpán's harpsichord concerto. He is dedicated to chamber music (e.g. trio Aperto, Musica Excelsia, Motus Harmonicus and others.) and accompaniment (he collaborated with, e.g. Kristýna Vylíčilová, Barbora Polášková, Jiří Přbyl and others). Since 2011, he has been a piano teacher at the ZUŠ "Žerotín" Olomouc and since 2019 also an extern at the Faculty of Education of Palacký University.
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jednotné vstupné 100 Kč